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Journal

Long-form

Essays

Writing that crosses disciplines and dwells in ideas. Visual culture, storytelling, heritage, accessibility, curatorial practice — given the space and attention they demand. A place for long thinking and wide seeing.

9 articles

Long-form

Essays

Harkeerat Mangat & Balázs Virágh: Alignment, Time and the Space Between Two Instruments

Latest article

Harkeerat Mangat & Balázs Virágh: Alignment, Time and the Space Between Two Instruments

Before the music begins, there is tuning — an act of alignment between two instruments that is already part of the performance. Harkeerat Mangat and Balázs Virágh make Indian classical music with the precision of cognitive science and the playfulness of two friends who find their shared obsession "totally hilarious and absurd."

16 April 2026

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Mogs Mellor: Happy Accidents and the Colour of the Sea

12 April 2026

Mogs Mellor: Happy Accidents and the Colour of the Sea

In her studio on the family farm, surrounded by sheep and sea, Mogs Mellor paints what catches her eye: oystercatchers, boats, a sprat on blue plastic. She calls her best work "happy accidents." What moves her most is when a stranger walks in and says: I love this.

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Matthew Anderson, Melfort House: The Sound of a Place Where You Stay

12 April 2026

Matthew Anderson, Melfort House: The Sound of a Place Where You Stay

Not all the studios we visited in Argyll were artist studios. Some were houses, some were kitchens and some were pubs. Melfort House is all of these things combined. In this beautiful house on the shores of Loch Melfort, Matthew Anderson serves breakfast, plays the guitar in the pub across the road, and sends you to a tiny island for an evening of music you would never have found alone. For him, hospitality is a creative practice. The landscape is the calm that holds it all together.

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Rory Gibson: My Painting Lives Within the Landscape

11 April 2026

Rory Gibson: My Painting Lives Within the Landscape

In Argyll, reaching an artist's studio is already part of the work. Rory Gibson paints what he sees, travelling across islands by bicycle, choosing days of sun, finishing a canvas before the light shifts. His practice exists in the tension between the long time of the journey and the immediacy of the gesture.

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Resipole Studios: Where Art Slows Down and the Highlands Begin to Speak

8 April 2026

Resipole Studios: Where Art Slows Down and the Highlands Begin to Speak

On the west coast of the Scottish Highlands, where the road itself feels like part of the experience, a former farm building has been transformed into a contemporary gallery of rare clarity and character. At Resipole Studios, art is encountered as a quieter act of attention: shaped by landscape, architecture and the long journey that leads you there.

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Studio Trisorio: Fifty Years of Seeing Differently in Naples

25 April 2026

Studio Trisorio: Fifty Years of Seeing Differently in Naples

Founded in 1974 with a show by Dan Flavin, Studio Trisorio has spent fifty years changing the way Naples sees contemporary art. From the first photography exhibitions to the invention of Artecinema, from Villa Orlandi in Anacapri to three gallery spaces on the Chiaia waterfront, this is the story of a family, a city, and the conviction that art can reach everyone.

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The measure of light: Fabrizio Corneli at Studio Trisorio, Naples

22 April 2026

The measure of light: Fabrizio Corneli at Studio Trisorio, Naples

In a darkened room in one of Naples' most important galleries, a small LED projects the shadow of a globe onto a wall. Fabrizio Corneli has spent forty-five years making art from light. What he controls least is what interests him most.

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A House for Stories

8 April 2026

A House for Stories

The Journal is the place where AnotherStory thinks aloud — where films find context, projects take shape, and stories continue beyond the screen. Not a blog, not a magazine: a living archive, a house for the eye that learns to stay.

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The Art of Not Looking Away: A Conversation on Class, Capital and the Image

13 May 2026

The Art of Not Looking Away: A Conversation on Class, Capital and the Image

Four voices at the ICA. Three American artists and a curator sit in a room on The Mall and talk about what happens when art looks at money, and money looks back. A Dialogue from the preview and artists' talk of Genuine Fake Premium Economy.

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